.

Hackers Plant Fake Tupac Story on PBS Website

Group was angry about WikiLeaks documentary

May 31, 2011 11:30 AM ET
Hackers Plant Fake Tupac Story on PBS Website
Ron Galella/WireImage

A group of hackers posted a fake news story claiming that Tupac Shakur is alive and well on the PBS website this weekend after the public broadcaster aired a documentary about Wikileaks. The group, known as Lulz Boat or LulzSec, attacked PBS's site on Sunday, posting thousands of stolen passwords and other stolen information along with a story titled "Tupac Still Alive in New Zealand."

Choose Rolling Stone's Cover: The Sheepdogs vs. Lelia Broussard. Vote Now!

The Lulz Boat hackers, who publicized their prank in a series of taunting tweets, explained their antics by stating "We just finished watching WikiSecrets and were less than impressed." The program, which aired on PBS' Frontline program last Tuesday, was focused on incarcertated U.S. soldier Bradley Manning, who is accused of supplying WikiLeaks with sensitive military and diplomatic information.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »