.

Future of Music: Marilyn Manson

November 15, 2007 8:27 PM ET

What do you see as the most important issue facing the United States, or maybe even the world, today?
I think it's the possibility of devaluing things by empowering people to self-broadcast or bootleg or even import things from China. It started with the entertainment industry, but it's ended up translating into everything else. Things have become devalued to the point where people don't realize the repercussions, that they're devaluing themselves. It could end up bringing about chaos, a lawless situation.

Do you see anyone addressing this issue in a meaningful way?
I don't really know how you would deal with it. I think it's important to continually demonstrate the importance of being an artist. It becomes a moral value. There's an architect who built the building. There's someone who wrote the song you're listening to. Somebody made the movie and the book that you see or read. It goes back to my most important idea, that artists should be the ones to rule society because they shape society. But artists will always be suppressed and, for the most part, tortured and tormented in financial, emotional and sometimes physical ways. We're idealistic people who want to spend our time putting ideas into the world, which ends up fucking us over. I hate to play the martyr, but someone has to [laughs].

Are you optimistic about the future?
Ultimately, because I'm an artist, I can't ever consider myself a nihilist, so I suppose I'm optimistic. I decided to make music again at a time when I couldn't have had more obstacles. If what you do is being threatened as a profession, that could be scary. But that's the same reason why I walked out on stage many times after receiving death threats. I couldn't live without doing what I wanted to do. So at the same time I have to be willing to die for it.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Promiscuous”

Nelly Furtado with Timbaland | 2006

This club-oriented single featuring Timbaland, who produced Nelly Furtado's third album, Loose, was Furtado’s sexy return after the Canadian singer's exploration of her Portuguese heritage on Folklore. "In the studio, initially I didn’t know if I could do it, 'cause Timbaland wrote that chorus," Furtado said. "I'm like, 'That's cool, but I don't know if I'm ready to do full-out club.'" The flirty lyrics are a dance between a guy and girl, each knowing they will end up in bed together but still playing the game. "Tim and I called it 'The BlackBerry Song,' she said, "because everything we say in the song you could text-message to somebody."

More Song Stories entries »
 
www.expandtheroom.com