.

Fogerty's Rocking Déjà Vu

Former Creedence Clearwater Revival frontman releases new disc in seven years

September 2, 2004 12:00 AM ET
"If I felt the need right now, I could probably write 'Fortunate Son' again," says John Fogerty. But rather than revisit past glories, the former Creedence Clearwater Revival frontman took his time crafting Deja Vu All Over Again, his first album in seven years. The album is due September 21st.

"I'm almost in awe of the whole process," Fogerty says. "I'm really happy when stuff is working - in the same way [Red Sox pitcher] Pedro Martinez is happy when he's got all his stuff."

With Fogerty back in touch with his inner muse, D?j? Vu collects countrified, bare-bones rock numbers that carry enough swamp-blues bite to appeal to CCR fans. Highlights include "Sugar Sugar," an up-tempo ode to Fogerty's wife which reflects his knack for crafting a laid-back melody. And the earnestly pretty anti-war title track is currently earning Fogerty some airplay.

That song, which draws parallels between Vietnam and Iraq, came to Fogerty almost by divine inspiration. "I walked in the door, and as I put the keys down on the table, the first line of the song came to me," Fogerty says. "I heard it as if somebody was whispering in my ear. I ran over and picked up an acoustic guitar, and it just came like an unstoppable force."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »