.

Exclusive Download: Tim Barry Ponders Posers on '40 Miler'

Preview a song from the former Avail frontman's solo album

Tim Barry, '40 Miler'
Chrissy Piper
March 14, 2012 10:00 AM ET

Click to listen to Tim Barry's '40 Miler'

"40 Miler," the title track from former Avail frontman Tim Barry's fifth solo album, is named after a derogatory term used by freight train riders to describe a fake hobo. "For 20 years, I have toured and illegally ridden freight trains, but I've never been truly committed to either," Barry tells Rolling Stone. "I am a poser – a 40 Miler."

The track came to Barry after a long bout of writer's block. "The song was oddly easy to write," he says. "A strange thing happens to one's creative mind when an eternal 'nobody' becomes recognized in music. Suddenly, songs don't just belong to the writer. They belong to the public as well, making writing difficult. At what point does the intimacy of writing songs become clouded by the knowledge that you are writing with your listeners in mind? This is the point when all great writers become boring. '40 Miler' was a way of making fun of myself and acknowledging I am neither a great writer or interesting candidate for stardom. But I've accumulated many miles and many experiences while an active participant in the world of underground music, and I wouldn't take that back for anything."

 40 Miler will be in stores on April 10th, but you can download the song for free here.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »