.

Exclusive Download: St. Lucia's Remix of Foster the People's 'Don't Stop'

Get the rock-fueled, 'maximalist' version of the hit song

February 8, 2012 10:00 AM ET

Foster the People, 'Don't Stop'
Foster the People, 'Don't Stop'
Andy Barron

Click to listen to Foster the People's 'Don't Stop (St. Lucia Remix)'

When you think of remixes, you normally think of dance mixes. St. Lucia decided not to go that route when remixing Foster the People's hit "Don't Stop," and instead added rock guitars and a sax outro to the otherwise danceable track. "I decided to take the remix in almost the opposite direction to the original, because Foster the People did such a good job with that version that I felt a completely different and more maximalist version needed to be explored," Jean of St. Lucia shares with Rolling Stone.

"I find that remixes are a good place to explore your influences as well, and with this I somehow went in two completely opposite directions at the beginning and at the end, referencing someone of the swagger of T-Rex and then morphing into a sort-of cheesy house thing at the end," he says. "It's a fun process, and I like to be open to whatever ideas might flow through me when I'm doing it."

You can download the St. Lucia remix of Foster the People's "Don't Stop" for free here.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“1999”

Prince | 1982

“I don’t consider myself a great poet,” Prince told Rolling Stone. “I just know I’m here to say what’s on my mind.” In the case of the apocalyptic party anthem “1999,” he was worried about then-president Ronald Reagan’s foreign policies. The song’s melody is based on a riff borrowed from the Mamas and Papas’ “Monday, Monday,” and Prince originally envisioned the first verse with three-part harmony but later split the vocals between himself and members of the Revolution. Because Warner Bros., with whom Prince was locked in a contractual battle, owned the original’s masters, Prince rerecorded the song and appropriately released that version in 1999.

More Song Stories entries »