Eminem Tops Korn

Rapper spends fourth straight week at Number One

June 19, 2002 12:00 AM ET

Korn's Untouchables was anything but, as the projected summer blockbuster release debuted Number Two with sales of 434,000, according to SoundScan. Untouchables was topped by the year's sole breakout seller, Eminem's The Eminem Show, which sold a hearty 530,000 copies in its fourth week of release. After less than a month of sales, The Eminem Show has sold 2.9 million copies, the lone 2002 release to display some Y2K muscle. For Korn, however, the number is hardly shabby. Although the figure is 150,000 units fewer than the band's last effort, 1999's Issues, it's still the third highest first-week tally for the year (behind Celine Dion's A New Day Has Come and Ashanti's Ashanti, which sold 527,000 and 502,000, respectively).

And while sales otherwise continued their peaked ways, there were still sufficient newcomers making some noise to warrant attention. Emo kids A New Found Glory turned their leap from indie to Universal into some sales noise. The band's third record, Sticks and Stones, debuted Number Four, with sales of 90,000, the week's other Top Ten newcomer. The Osbourne Family Album bowed in at Number Thirteen with sales of 57,000, while David Bowie's Heathen (55,000, Number Fourteen) was the latest in a line of strong debuts by rock vets. Raphael Saadiq's Instant Vintage (Number Twenty-five, with sales of 44,000), AZ's Aziatic (Number Twenty-nine, 41,000) and the Who's Ultimate Collection (Number Thirty-one, 37,000) were the other notable debuts.

Country music's big week meant a huge sales spike. Nashville had its first ever video awards show with the CMT Flameworthy Video Music Awards on June 12th, which was followed by the weeklong Fan Fair. As a result, O Brother, Where Art Thou? bounded back into the Top Ten with sales of 79,000, a 30,000 increase from last week. Kenny Chesney's No Shoes, No Shirt, No Problems fell two slots to Number Eight, but enjoyed a nearly 10,000 unit increase. Alan Jackson's Drive also shot from Number Twenty-four to Number Twelve behind an 18,000 album sales increase. Brad Paisley's Part II (Number Forty-five), Toby Keith's Pull My Chain (Number Seventy-two), Brooks and Dunn's Steers and Stripes (Number Seventy-nine), Tim McGraw's Set This Circus Down (Number Eighty-nine) and Rascal Flatts' Rascal Flatts (Number Ninety-six) all enjoyed sales increases.

Next week, Eminem will try to make it five straight weeks on top, as he's halfway to his mark of eight-straight weeks at Number One for 2000's The Marshall Mathers LP. With sales only dipping slightly from week to week, the album is still going to be tough to best, despite high-profile releases arriving in stores this week from Papa Roach and Wyclef Jean.

This week's Top Ten: Eminem's The Eminem Show; Korn's Untouchables; Totally Hits 2; A New Found Glory's Sticks and Stones; P. Diddy's We Invented the Remix; Ashanti's Ashanti; O Brother, Where Art Thou?; Kenny Chesney's No Shoes, No Shirt, No Problems; Donnell Jones' Life Goes On; and Avril Lavigne's Let Go.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

Music Main Next
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.


We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“American Girl”

Tom Petty and the Heartbreakers | 1976

It turns out that a single with "American" in its title--recorded on the Fourth of July during the nation's Bicentennial, no less--can actually sell better in Britain. Coupled with the Heartbreakers' flair for Byrds jangle and Animals hooks, though, is Tom Petty's native-Florida drawl that keeps this classic grounded at home. Petty dispelled rumors that the song was about a suicidal student, explaining that the inspiration came from when he was 25 and used to salute the highway traffic outside his apartment window. "It sounded like the ocean to me," he recalled. "That was my ocean. My Malibu. Where I heard the waves crash, but it was just the cars going by."

More Song Stories entries »