Conor Oberst and the Mystic Valley Band Channel Rock Icons in Seattle

"There's nothing that the road cannot heal," goes a line from "Moab," the lead song from last night's Conor Oberst and the Mystic Valley Band tour opener at Seattle's Neumo's. In Oberst's case, it might be true: He appeared more lucid and vital than ever. Maybe it was the intimate setting, but Oberst seemed to have allayed his demons and arrived at some of his strongest songs to date.

Backed by a loose-but-tight five-piece band, Oberst and crew ran through every song from their upcoming eponymous album. They took cues from Americana icons like the Heartbreakers and the Band, often letting longtime Bright Eyes member Nate Walcott lead on churchlike organ while coloring the spaces with a three-guitar palette.

Aside from a few squealing declarations of love, the crowd maintained a reverential silence throughout the hour-and-a-half set, soaking up the new material as willingly as the band played it. Highlights came mid-show with heartwrenching slow burners "Cape Canaveral" and "Danny Callahan" and later on with the barroom sing-along "I Don't Wanna Die (in the Hospital)." Oberst dueted with Walcott on "Lenders in the Temple;" later he did the same with guitarist Nik Freitas on "Gotta Reason #2." They closed with the tender "Milk Thistle" before returning for a four-song encore that included a song led by Freitas and "Corina, Corina," an ageless folk-blues standard played by everyone from Bob Wills to Taj Mahal to Bob Dylan.

Set List

"Moab"
"Sausalito"
"Get-Well-Cards"
"Cape Canaveral"
"Danny Callahan"
"Gentleman's Pact" (AKA "Smoke Signals")
"Lenders in the Temple"
"NYCâ€"Gone, Gone"
"Souled Out!!!"
"Gotta Reason #2"
"Synesthete Song"
"I Don't Want to Die (in the Hospital)"
"Milk Thistle"

ENCORE
"Eagle on a Pole"
"Corina, Corina" (blues standard)
Unknown song led by guitarist Nik Freitas
"Breezy"

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Song Stories

“Smells Like Teen Spirit”

Nirvana | 1991

"Smells Like Teen Spirit," named after a brand of deodorant marketed to girls, was Kurt Cobain's attempt to "write the ultimate pop song," he said, using the soft-loud dynamic of his favorite band, the Pixies. Cobain "had that dichotomy of punk rage and alienation," the song’s producer, Butch Vig, told Rolling Stone, "but also this vulnerable pop sensibility. In 'Teen Spirit,' a lot of that vulnerability is in the tone of his voice." Sadly, by the time of Nirvana's last U.S. tour, in late '93, Cobain was tortured by the obligation to play "Teen Spirit" every night. "There are many other songs that I have written that are as good, if not better," he claimed.

More Song Stories entries »

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