.

Concert Company Denies Claims Over Jackson's Death

AEG Live reject Katherine Jackson's claims that they choose Dr. Conrad Murray and pressured Jackson despite his illness

September 17, 2010 2:33 PM ET

AEG Live — the concert promoter behind the shows Michael Jackson planned before his death — has roundly rejected the claims by Michael's mother Katherine, who filed a wrongful death lawsuit against the company, blaming them for hiring Dr. Conrad Murray and forcing Jackson to rehearse even though he was ill. In a statement, AEG called the lawsuit "inaccurate, unsubstantiated and meritless," Billboard.biz reports.

Look back at Michael Jackson's life in photos.

AEG Live's main issue: the allegation that the company brought on Murray, who has been charged with involuntary manslaughter in Jackson's death. "Dr. Murray was Michael's personal physician," AEG said. "Michael wanted him to go to London and asked AEG to pay for him as an expense of the tour. We would have preferred to hire a doctor in London, as it would have been more cost effective, but Michael insisted on Dr. Murray."

Michael Jackson: The Rolling Stone Covers

AEG Live is still linked to the Michael Jackson estate through some business affairs (the two created the concert rehearsal film This Is It), so the company refused further comment on the lawsuit.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“1999”

Prince | 1982

“I don’t consider myself a great poet,” Prince told Rolling Stone. “I just know I’m here to say what’s on my mind.” In the case of the apocalyptic party anthem “1999,” he was worried about then-president Ronald Reagan’s foreign policies. The song’s melody is based on a riff borrowed from the Mamas and Papas’ “Monday, Monday,” and Prince originally envisioned the first verse with three-part harmony but later split the vocals between himself and members of the Revolution. Because Warner Bros., with whom Prince was locked in a contractual battle, owned the original’s masters, Prince rerecorded the song and appropriately released that version in 1999.

More Song Stories entries »