Britney Spears Returns to No.1; Blackstreet Crack the Top Ten

You can't keep a good woman down.| Or in the case of Rolling Stone cover girl Britney Spears, you can't keep her off the top of the charts. Spears returns to the No. 1 spot on the nation's album chart for the third time in less than three months. In a business where hit records often debut strong and then steadily tumble down the chart, Spear's perseverance is remarkable. In eleven weeks, her debut has sold 1.6 million copies, making it the biggest seller of the year so far. And Spears, who will soon star in several Dawson's Creek episodes and may even land her own TV show, has done it all on the strength on one single: "...Baby One More Time."

Her album by the same name sold 168,000 copies for the week ending March 28, according to SoundScan, and finally ended TLC's four-week run at No. 1. TLC's Fanmail dropped to No. 4. The R&B male supergroup Blackstreet owned the week's only debut in the Top Ten. The act's long-awaited release, Finally, came in at No. 9, selling 80,000 copies.

More smooth R&B from the all-female group Silk also debuted strong. Silk's third album, Tonight, came in at No. 21. Right in front of them at No. 20 was 98 Degrees, Motown's hot R&B act. 98 Degrees and Rising finally cracked the Top 20 after nearly six months on the chart. (The act's ascent is welcome news at Motown, which has been suffering a hits drought in recent years.)

Meanwhile, the latest from booted Van Halen frontman Sammy Hagar, Red Voodoo, bowed at a respectable No. 22. (Hagar's single "Mas Tequila" is currently No. 3 at rock radio.)

From the top, it was Britney Spears' ...Baby One More Time, followed by Eminem's The Slim Shady LP (selling 162,000 copies); Fanmail (154,000); Lauryn Hill's The Miseducation of Lauryn Hill (109,000); Shania Twain's Come On Over (101,000); the Offspring's Americana (99,000); Cher's Believe (91,000); the Dixie Chicks' Wide Open Spaces (81,000); and Finally (80,000).

• 
  MUSIC 100 Greatest Debut Albums
• 
  MOVIES 'Great Gatsby' Is a Crushing Disappointment
• 
  TV Why You Should Watch 'Happy Endings'
• 
  POLITICS No Price Big Banks Can't Fix

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »

Twitter