.

Bob Dylan Finishes New LP, Records with Johnny Cash

The record will contain 10 or 11 new songs and will probably be released before April 1

March 15, 1969
Bob Dylan, rolling stone, archive, johnny cash
Bob Dylan on stage with Johnny Cash in 1969.
Michael Ochs Archives/Getty Images

Bob Dylan has completed his next album and joined Johnny Cash for a duet or two. The recordings were done in the middle of February at the Columbia studios in Nashville, Tennessee, produced by Bob Johnston and using several of the same musicians who played on John Wesley Harding.

"They are the songs I've been writing over the past year," Dylan said in a telephone conversation from his home in upstate New York. "Some are songs that I've sung and never written down and just sort of turn up again.

"I can't remember where they come from. I was just sitting down trying to write some notes on where the songs came from and I couldn't figure it out myself."

Previously Unseen Bob Dylan Lyrics From 1965

The Dylan record – containing ten or eleven new songs – was done in three mid-February sessions at the Columbia Studios in the Country Music Capitol of the World. In the last nights of Dylan's stay in Nashville (February 17-18), Johnny Cash joined him and together they did about fifteen songs, one or two for possible use on the new album and the rest for a possible joint Cash-Dylan LP. Bob Johnston, who produced Blonde on Blonde and John Wesley Harding is also Cash's producer (did the Folsom Prison LP, among many of Cash's recent recordings) and helped bring the two performers together. It was also a natural outgrowth of the long-time friendship between the two singers.

"You don't produce Dylan or Cash," Johnston said, "they produce themselves." Johnston hopes to record about fifteen more Cash-Dylan duets and take the best of them for an album. In February, they did songs like "I Walk The Line," "Big River," "Careless Love," "One Too Many Mornings," and "Understand Your Man," among others.

Cash and Dylan simply went into the studio and jammed for a while, sang some of Bob's old songs, some of John's old songs, a song they wrote together, did some rehearsed material and now have about three hours of tape if they want to release it as an album.

The new Dylan LP will probably be released before April 1, depending on how smoothly mixing, covers, liner notes and so on go. A Nashville photographer was used to take some shots and those are currently being considered for the cover. "I've done my part," Dylan said, "and I don't know any more about it."

Session men on the date included Kenny Buttrey on drums, Charlie McCoy on bass and Pete Drake on steel guitar, all of whom played on John Wesley Harding. Joining them were Norman Blake, a guitar teacher from Chattanooga on rhythm guitar (and dobro on the "Understand Your Man" duet); Charlic Daniels, who played dobro, Fender electric guitar and acoustic gut-string guitar ("a fine song writer, you'll be hearing a lot about him"); and Bob Wilson, Wilson, from Detroit and currently a Nashville session-man, on piano ("you'll be hearing a lot about him too").

Photos: Bob Dylan Hanging With Joan Baez, Allen Ginsberg and More

Some of the song titles are "I Threw It All Away," "One More Night," "Country Pie" ("Anything like 'Honey Pie'?" "No, wish it was") and "Tell Me That It Isn't True."

"I can't, remember too much about how I wrote the new songs. It depends on where I am, what the weather is like and who is around at the time. The music is a little of everything. You'll know what it is when you hear it. I can't remember that much about it. The new songs are easy to sing and there aren't too many words to remember."

This story is from the March 15th, 1969 issue of Rolling Stone.


To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Around the Web
Powered By ZergNet
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Wake Up Everybody”

John Legend and the Roots | 2010

A Number One record by Harold Melvin and the Bluenotes in 1976 (a McFadden- and Whitehead-penned classic sung by Teddy Pendergrass) inspired the title and lead single from Wake Up!, John Legend's tribute album to message music. The more familiar strains of "Wake Up Everybody" also fit his agenda. "It basically sums up, in a very concise way, all the things we were thinking about when we were putting this record together in that it's about justice, doing the right thing and coming together to make the world a better place," he said. Vocalists Common and Melanie Fiona assist Legend on this mission to connect.

More Song Stories entries »
 
www.expandtheroom.com