.

Black Sabbath Announce New Album, '13,' Due Out in June

First record with Osbourne in 35 years

Bill Ward, Ozzy Osbourne, Geezer Butler and Tony Iommi of Black Sabbath attend a press conference.
Kevin Winter/Getty Images
January 13, 2013 9:53 AM ET

Black Sabbath announced today that their new album will be coming out in June. Titled 13, the album features original Black Sabbath members Ozzy Osbourne, Tony Iommi and Geezer Butler, marking the Osbourne-fronted group's first studio album together since 1978's Never Say Die! Drummer Brad Wilk from Rage Against the Machine will be replacing Bill Ward, who dropped out of the Black Sabbath reunion projects in May.

Flashback: Black Sabbath Unleash 'War Pigs' in 1970

For their 19th album (and ninth with Osbourne), Black Sabbath will be returning to Vertigo, their original label. The album was mostly recorded in Los Angeles, with seven-time Grammy winner Rick Rubin producing. In a November interview, Iomi talked about Rubin's creative process. "He's just a vibe merchant, really. He vibes you up. He's not one who gets involved hands-on," Iommi said. "He leaves it to you to do it and he sort of says, 'Yeah, I like it,' you know, or, 'I don't like it.'"

The band will be heading to New Zealand, Australia and Japan to tour in advance of the album, with additional dates to come. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »