Barack Obama Selects the Dead for Inaugural Ball: "It Was Quite an Honor"

Just a week after confirming their first tour in five years, the reunited Dead are booked to rock the Mid-Atlantic Inaugural Ball in Washington, D.C. on January 20th. "A DJ will open up — it's a long, strange trip!," Mickey Hart jokes to Rolling Stone (the DJ in question is celeb spinner DJ Cassidy). "[Barack Obama] picked us specifically," he adds, "so it was quite an honor. There was a short list and we made the cut." (For a peek into the President-Elect's iPod, click here.)

As for the most important question — can the band jam at the ball? — Hart is dubious: "It's pretty tight, about an hour set. When you play these kinds of things you say, 'How can I be of service?' The entertainment committee makes it so that it fits into their huge schedule."

Another pitfall of political rocking: a background check. "It gave me pause when I had to get a security clearance to play a gig!" Hart says. So did they get past the security scan? "Oh, yeah, we don't look so bad on paper. It's not as bad as you might think."

The Dead partially reunited for a Deadheads for Obama gig in spring 2007, and drummer Bill Kreutzmann rejoined the group for a "Change Rocks" Obama fundraiser at Penn State in October. The tour that kicks off April 12th in Greensboro, North Carolina, features founding members Phil Lesh, Bob Weir as well as Hart and Kreutzmann, joined by keyboardist Jeff Chimenti and Allman Brothers Band/Gov't Mule guitarist Warren Haynes.

Related Stories:

• Still Truckin': The Dead Reunite in Pennsylvania
• The Dead Reunite for Obama at Scorching Penn State Benefit
• The Dead Announce First Tour in Five Years

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Song Stories

“Is It True”

Brenda Lee | 1964

As the British Invasion reached its peak in 1964, Brenda Lee went from Nashville to London to record one of her hardest-rocking hits, her perky vocal backed by a stuttering, squalling guitar. That guitar was played by session musician Jimmy Page, yet to skyrocket to fame with first the Yardbirds and then Led Zeppelin. "She said to me, 'I've come here to make a record with the British sound,'" remembered producer Mickie Most. "She felt she wouldn't get the same sound in Nashville because they're only just catching up on the British beat group sound of about six months ago."

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