Avril Lavigne Strips Down Sound for Introspective November LP

Rolling Stone hits the studio with Avril Lavigne, who's hooking up musically with husband Deryck Whibley of Sum 41 on her next disc, for a progress report in our new issue. The big news: Lavigne isn't looking to repeat the success of 2007's smash single "Girlfriend," nor is she looking to maintain her status as punk-pop's snotty princess. On the as-yet-untitled November disc, Lavigne says she's aiming for a more introspective sound with a stripped-down rock record driven by acoustic guitars.

"Life, that's what this record is about," Lavigne tells Rolling Stone. "It's so easy for me to do a boy-bashing pop song, but to sit down and write honestly about something that's really close to me, something I've been through, it's a totally different thing." Even though Lavigne is stepping away from the power-punk, she still packs the catchy hooks on songs like "Darlin'," which was the second song Lavigne ever wrote as a 15-year-old living in Napanee, Ontario. Butch Walker also worked on Lavigne's fourth LP.

While Lavigne's previous albums hid her voice behind walls of production, her vocals are front-and-center on new tracks like "Everybody Hurts." Other titles include "Black Star," which was originally going to be the theme song for Avril's fragrance of the same name, and "Fine." "My last record was about loud guitars and energy, but this I wanted to really feel my music," Lavigne told RS.

For more on Lavigne's upcoming album, check out the In the Studio feature in the new issue of Rolling Stone.

• 
  MUSIC 100 Greatest Debut Albums
• 
  MOVIES 'Star Trek' Is Crazy Good
• 
  TV
• 
  POLITICS No Price Big Banks Can't Fix

Song Stories

“Is It True”

Brenda Lee | 1964

As the British Invasion reached its peak in 1964, Brenda Lee went from Nashville to London to record one of her hardest-rocking hits, her perky vocal backed by a stuttering, squalling guitar. That guitar was played by session musician Jimmy Page, yet to skyrocket to fame with first the Yardbirds and then Led Zeppelin. "She said to me, 'I've come here to make a record with the British sound,'" remembered producer Mickie Most. "She felt she wouldn't get the same sound in Nashville because they're only just catching up on the British beat group sound of about six months ago."

More Song Stories entries »

Twitter