.

Artist to Watch: MGMT

Jokey electronic rockers go straight

November 29, 2007 12:00 AM ET

Below is an excerpt of an article that originally appeared in RS 1040 from November 29, 2007. This issue and the rest of the Rolling Stone archives are available via Rolling Stone Plus, Rolling Stone's premium subscription plan. If you are already a subscriber, you can click here to see the full story. Not a member? Click here to learn more about Rolling Stone Plus.

Andrew VanWyngarden and Ben Goldwasser get a kick out of being irreverent pranksters. While studying music at Wesleyan University in Middleton, Connecticut, the pair formed the electronic-rock group MGMT (pronounced "management") and played at the college's notorious "clothing optional" dorm. The set list? The Ghost Busters theme song, performed ad nauseam. But whenever VanWyngarden or Goldwasser weren't on a stage, the two wrote more-traditional songs together, with the aim of signing to a major label. "We were this unknown band, but we talked a lot about selling out as soon as possible," says VanWyngarden. Still, when Columbia Records came courting them last year, MGMT couldn't bring themselves to take the process seriously. "We were really sarcastic when we met them," VanWyngarden recalls. "They asked us for a list of dream producers, so we made one: Prince, Barack Obama, Nigel Godrich and 'Not Sheryl Crow.'"

Eventually MGMT settled on Flaming Lips producer Dave Fridmann for their debut, Oracular Spectacular. (The disc officially comes out in January but is available on iTunes now.)

VanWyngarden and Goldwasser spike their pop songs with plenty of grit: "Kids" is a noisy New Order-style synth jam, the acoustic psych-rocker "Weekend Wars" cribs from the Rolling Stones, and "The Handshake" is a funked-up avant-rock composition that doesn't have traditional choruses or verses. "We redid a lot of our songs that sounded too polished," says Goldwasser. "Dave ended up running the tracks through this thing that crushed them and made them sound really gross again. They're a lot better now."

Despite major-label backing, MGMT have kept some indie cred: They've toured a few times with Of Montreal, and the art-rock group's frontman, Kevin Barnes, is working with VanWyngarden on a side project called Blik Fang. "They don't get hung up on having this anti-corporate punk-rock attitude," says Barnes. "And I think it's a good thing."

To read the full article, you must be a subscriber to Rolling Stone Plus. Already a subscriber? Continue on to The Archives.  Not a member and want to learn more? Go to our Rolling Stone Plus benefits page.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next
Around the Web
Powered By ZergNet
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Madame George”

Van Morrison | 1968

One of the first stream-of-consciousness epics to make it onto a Van Morrison record, his drawn-out farewell to the eccentric "Madame George" lasted nearly 10 minutes, combining ingredients from folk, jazz and classical music. The character that gave the song its title provoked speculation that it was about a drag queen, though Morrison denied this in Rolling Stone. "If you see it as a male or a female or whatever, it's your trip," he remarked. "I see it as a ... a Swiss cheese sandwich. Something like that."

More Song Stories entries »
 
www.expandtheroom.com