.

Amy Winehouse's Father Opposes Biopic

Says 'We’d never allow the songs to be released'

December 12, 2011 6:30 PM ET
Amy Winehouse
Amy Winehouse's father Mitch Winehouse, brother Alex Winehouse and former boyfriend Reg Traviss look at floral tributes left at her house by fans.
Gareth Cattermole/Getty Images

Amy Winehouse’s father has vowed to keep his daughter’s life off the big screen.

Today, Mitch Winehouse told Britain’s Daily Mail that he will oppose a tentative biopic about his troubled daughter, one that may involve Amy’s ex-boyfriend, filmmaker Reg Traviss. Winehouse cited his authority as the copyright holder of his daughter’s catalog, insisting, “It would hardly be a biopic without the music, and we’d never allow the songs to be released.”

Last week, Traviss told Britain’s Mirror that a biographical film of the troubled soul diva was “inevitable,” although he said he declined involvement in the project. Mitch Winehouse has his own projects in the pipeline: the taxi driver has signed a deal with HarperCollins to write a memoir, with proceeds benefiting the Amy Winehouse Foundation for victims of substance abuse and disadvantaged children.

Proceeds of Lioness, Winehouse’s posthumous album of previously unreleased material, also went to the foundation.

 Related
Album Review: 'Lioness'
Amy Winehouse's Last Days and Lost Music

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »