.

Amy Winehouse Play in the Works

Danish Royale Theatre production is scheduled for a January opening in Copenhagen

Amy Winehouse
BEN STANSALL/AFP/Getty Images
October 25, 2012 12:05 PM ET

A play based on the life and music of Amy Winehouse is expected to open in Copenhagen in 2013, the BBC reports. The Winehouse family, however, has no involvement in the production, a spokesperson confirmed.

The show will feature music from late singer's two records Frank and Back to Black and will reportedly focus on "the enormous pressure a sensationalist public put on a young superstar when her problems began," according to organizers of the performance. 

Source material for the play includes interviews, acceptance speeches, concerts, newspapers articles, letters and songs. Winehouse will be played by 29-year-old actress Johanne Louise Schmidt, and the show is set to open on January 30th at the Danish Royal Theatre's 220-capacity Red Room. 

Winehouse, who long struggled with alcohol and drug use, died last year from alcohol poisoning. Recently, collaborators Nas and Tony Bennett, plus frequent producer Salaam Remi, were the first to be honored at the Amy Winehouse Inspiration Awards & Gala, hosted by the Amy Winehouse Foundation, whose U.S. branch supports music therapy and after school music programs. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

prev
Music Main Next

blog comments powered by Disqus
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.

X

We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“All Along the Watchtower”

The Jimi Hendrix Experience | 1968

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."

More Song Stories entries »