All-American Rejects Get Reflective, Go Hollywood for Third Album

July 18, 2008 8:49 AM ET

When the All-American Rejects hit New York this week to open a pair of Bon Jovi shows at Madison Square Garden, it was the Oklahoma quartet's first gigs at the famed venue but their eighth with the New Jersey rockers. "We count every one," singer-bassist Tyson Ritter joked. "Touring with Bon Jovi is a lot like touring with a circus," he says. "It takes two days to set up a circus before it can perform."

Though their own show hasn't hit big-top levels just yet, Ritter, guitarists Nick Wheeler and Mike Kennerty and drummer Chris Gaylor added some flare of their own by debuting a new track on this tour, their first major outing since entering a recording studio in February to record the follow-up to 2005's double-platinum Move Along. Ritter describes the track, called "Mona Lisa," as "an acoustic song that we've turned into a full-band production of an acoustic song," adding the Rejects intend to record it live in the studio — a first for the band.

Another first for the band is their upcoming "Body By Milk" ad, which features the lanky members of the All-American Rejects touting milk as "one drink we won't reject" (see it for the first time in next week's issue of Rolling Stone). But national campaigns aside, the band's focus remains their upcoming third LP, expected this November.

The still-untitled record is "a year and a half of writing reflecting on the last three years of our lives," Wheeler says. "We don't like to be the band that squeezes in writing between things just to hurry up and get the album out." Though the band has already recorded 10 tracks, they haven't stopped thinking of new ideas — including a possible collaboration with Southern folk-pop sisters the Pierces on the tentatively titled "Another Heart Calls," which Ritter calls "our little 'Time After Time,' with a lot more energy." Other contenders for the album include the quirky "Give You Hell" and the piano-driven "Fallin' Apart" with what Ritter describes as "T. Rex women on the chorus."

The album was recorded at Barefoot Studios in Hollywood, home base for producer Eric Valentine (Maroon 5, Queens of the Stone Age), who got the band accustomed to working 12-hour days. "It was great because we could all live at this house right between the Roxy and the Whiskey, right behind Sunset Boulevard. That was the most Hollywood rock star thing," jokes Wheeler, "without Hollywood rock stars in the house."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

Music Main Next
Around the Web
Powered By ZergNet
Daily Newsletter

Get the latest RS news in your inbox.

Sign up to receive the Rolling Stone newsletter and special offers from RS and its
marketing partners.


We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

Song Stories

“Whoomp! (There It Is)”

Tag Team | 1993

Cecil Glenn — a.k.a., "D.C." — was a cook at Magic City, a nude dance club in Atlanta, when he first heard women shout "Whoomp — there it is!" Inspired by the party chant, he and partner Steve "Roll'n" Gibson wrote a song around it. Undaunted by label rejections, they borrowed $2,500 from Glenn's parents and pressed 800 singles, which quickly sold out in the Atlanta area. A record deal came soon after. Glenn said the song was meant for positive partying. "If you're going to say 'Whoomp there it is,' and you're doing something negative, we'd rather it not have come out of your mouth."

More Song Stories entries »