'good kid, m.A.A.d city'
Top Dawg/Aftermath/Interscope, 2012
The last thing hip-hop was expecting in 2012 was a record like Kendrick Lamar's debut: a mainstream triumph by a leftfield star, a classic album that built on narratives not punchlines or braggadocio, a cracked lens view of one of rap's sacred terrains, Compton, California. In good kid, m.A.A.d city, Lamar sets spiritual yearnings and moral dilemmas against a stark backdrop of gang violence and police brutality. When Lamar does unleash a hair-raising boast – "I pray my dick get big as the Eiffel Tower/So I can fuck the world for 72 hours" – the triumphalism feels well-earned.