32. Alicia Keys, 'Here'
On her most political album to date, Alicia Keys sings from the perspective of a black everywoman with undiminished optimism. Her subjects on Here are many: the angry, struggling woman at the center of the heartbreaking "Illusion of Bliss," the city of New York as personified as a young dreamer on "She Don't Really Care/1 Luv" and the gay couple on "Where Do We Begin Now" that worries about leaving the closet. Much like her widely publicized decision to abandon heavy makeup in public appearances, she strips down her music and largely communicates through her own strident piano chords, save for the occasional homage to classic NYC rap like Raekwon's "Spot Rusherz" ("The Gospel") and Nas' "One Love" ("She Don't Really Care"). There is a bit of spoken-word braggadocio as she declares over the latter, "The chair that I'm sitting on is a throne/Perfection kneels at the seat of my soul." However, her true victory is identifying and empathizing with others, and finding hope that the world, despite all its problems, is changing for the better. M.R.