6. Courtney Barnett, 'Sometimes I Sit and Think, and Sometimes I Just Sit'
The year's best debut came from a 27-year-old Australian singer-songwriter who marries the observational wit of Jerry Seinfeld, the word-ninja flow of Bob Dylan circa '65 and the guitar poetry of Stephen Malkmus. As its title implies, these are songs wrought from a specific type of everyday quarter-life malaise – one brilliant song is about the stuff that runs through your mind when you can't fall asleep, another is about a botched meet-cute at a swimming pool. But Barnett's ability to pack her songs about nothing with vivid imagery and insight, literary detail and political insight, is astonishing. "Jen insists that we buy organic vegetables/And I must admit that I was a little skeptical at first/A little pesticide can't hurt," she sings on the springy rocker "Dead Fox," which somehow morphs into a hilarious, catchy driving tune. Songs like "Pedestrian At Best" and "Debbie Downer" update the rich tradition of self-doubting Nineties alt-rock; other moments, like the heartbreaking "Depreston," have a wisdom – about aging, class anxiety, economics and relationships – that seems almost impossible for someone who's only beginning to find the depth of her artistic gifts. All signs suggest those gifts could be bottomless.