16. Blur, 'Parklife'
For American Anglophiles, it was wonderful being in a neutral country during the great Oasis/Blur wars of 1995. The proper warm-up for Team Blur was 1994's Parklife: All snot-nosed, neo-mod, track-jacket guitar-pop proudly in the tradition of the Kinks, the Jam and anything ever described as "cheeky." Conceived by Damon Albarn as a concept album a bit like Martin Amis' novel London Fields (its working title was "London"), Parklife was a zippy reminder that middle class didn't necessarily mean middle-brow. In spite of four hit-in-England singles (and one minor U.S. hit with "Girls & Boys"), Pulp went on to do all of this about a billion times better the following year on Different Class. Still, it's one of the most London-y albums that ever Londoned. Joe Gross