Ry Cooder once likened his playing – a sublime amalgam of American folk and blues, Hawaiian slack-key guitar, the Tex-Mex zest of conjunto and the regal sensuality of Afro-Cuban son – as "some kind of steam device gone out of control." Cooder's life on guitar has been distinguished by a rare mix of archaic fundamentals and exploratory passion, from his emergence as a teenage blues phenomenon with Taj Mahal and Captain Beefheart in the mid-Sixties to his roots-and-noir film soundtracks and central role in the birth and success of the 1996 Havana supersession Buena Vista Social Club. As a sideman, Cooder has brought true grit and emotional nuance to classic albums by Randy Newman, the Rolling Stones and Eric Clapton. Cooder is also a soulful preservationist, keeping vital pasts alive and dynamic in the modern world. A good example: the night Bob Dylan showed up at Cooder's house asking for a lesson on how to play guitar like the bluesman Sleepy John Estes.
Key Tracks: "Memo From Turner," "Boomer's Story"