86. 'Lady Madonna'
Main Writer: McCartney
Recorded: February 3 and 6, 1968
Released: March 18, 1968
11 weeks; No. 4
Like many of McCartney's finest songs, "Lady Madonna" is a tribute to working-class womanhood, expressed through Irish-Catholic imagery. "'Lady Madonna' started off as the Virgin Mary, then it was a working-class woman, of which obviously there's millions in Liverpool," he later said. "There are a lot of Catholics in Liverpool because of the Irish connection." The Madonna of the song is a long-suffering but indestructible matriarch, as tough as the title character of "Eleanor Rigby," yet as comforting as Mother Mary from "Let It Be."
Musically, "Lady Madonna" has an earthier inspiration: the New Orleans piano boogie of Fats Domino. McCartney called it "a Fats Domino impression," composed while trying to play something bluesy on the piano. The recorded version is a full-on tribute to the New Orleans R&B sound, with tootling saxophones. Domino must have taken it as a compliment. A few months after the song came out, he released his own cover version, which became the last Top 100 hit of his career.
Appears On: Past Masters