84. Eminem, 'The Eminem Show'
On his third album, Eminem shifted from provocation to introspection, mulling fame, fatherhood and the psychic toll of being America's biggest pop star and – according to scolds on both ends of the political spectrum – number one moral menace. The rhymes were as densely packed and virtuosic as ever ("When I speak, it's tongue in cheek/I'd yank my fuckin' teeth before I'd ever bite my tongue"), but they were also poignantly confessional; the beats largely jettisoned perky hip-hop to embrace the power chords and grandeur of Seventies rock.
• Rolling Stone's Original 2002 Review