Björk carried on through the decade with notable left-field projects, but Vespertine is a one-of-a-kind item in her one-of-a-kind career. It's her most experimental yet disarmingly personal music, using glitch-riddled electronics, harps, bells, vintage music boxes and Icelandic folk sounds to create a hushed, strangely intimate mood. Björk sings about love and romance all over the album, in cerebral sex ballads like "Heirloom" and "Unison." When she gasps and whispers her way through "Cocoon," shocked to find herself in the presence of a boy "restoring my blisses," she captures the sound of two lovers nestling on a melting iceberg.
• Rolling Stone's Original 2001 Review