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Fricke's Picks: Graveyard

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Of the nearly 400 acts that played in Austin on the first night of SXSW 2008, Graveyard, from Gothenberg, Sweden, were probably the only band that would also have fit the bill at Britain's great summer mud bath, the Glastonbury festival — in 1970. Graveyard's set was just like their new debut album, Graveyard (Tee Pee): unison-fuzz riffs with sharp, rhythmic turnarounds — like a prog-rock Free or a nimbler Black Sabbath — and a singer, guitarist Joakim Nillson, whose growl recalls the gritty baritone of Savoy Brown's Chris Youlden. If Graveyard had made an early-Seventies private-pressing LP that didn't sell squat, they would be record-collector legends. Instead, they blew a few dozen minds at 9 p.m. on a Wednesday — thankfully without the mud.

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ABOUT THIS BLOG

David Fricke

Rolling Stone senior writer David Fricke has more than 10,000 albums in his New York apartment. His first record review for the magazine was Frank Zappa's 'Sheik Yerbouti' (RS 290).

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