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album reviews

Blood, Sweat and Tears

Blood, Sweat & Tears 4

When Ed Sullivan welcomed Blood, Sweat & Tears to his show a while back he asked them where they got the unusual name from. From Churchill, they replied. Well, since the Kinks did Arthur, everybody knows Churchill isn't worth very much anymore, so as a result the name has been immeasurably weakened. So maybe they ought to shorten it (names of groups are too long nowadays) to just Tears. After all it's the Tears that have always been their most vital component. There really hasn&... | More »

Marvin Gaye

What's Going On Motown

Ambitious, personal albums may be a glut on the market elsewhere, but at Motown they're something new. These, from two of the Corporation's Finest, represent a subversive concept, allowed only to producers the overseerstars of Motown's corporate plantation as long as they didn't get too uppity. Both Gaye and Wonder have been relatively independent at Motown, their careers following their own fluctuations outside the mainstream studio trends, but these latest albums are dep... | More »

Joni Mitchell

Blue Reprise

The last time I saw Joni Mitchell perform was a year and a half ago at Boston's Symphony Hall, in one of her final appearances before she forswore the concert circuit for good. Fragile, giggly and shy, she had the most obvious case of nerves I have ever seen in a professional singer. Her ringing soprano cracked with stage fright and her frightened eyes refused to make contact with the audience. It wasn't until well into the second half of the concert that she settled down and began ... | More »

Stevie Wonder

Where I'm Coming From Motown

Ambitious, personal albums may be a glut on the market elsewhere, but at Motown they're something new. These, from two of the Corporation's Finest, represent a subversive concept, allowed only to producers the overseerstars of Motown's corporate plantation as long as they didn't get too uppity. Both Gaye and Wonder have been relatively independent at Motown, their careers following their own fluctuations outside the mainstream studio trends, but these latest albums are dep... | More »

July 22, 1971

Jethro Tull

Aqualung

Dating from at least the Electric Prunes' Mass In D Minor, rock and religion have evinced an unlikely affinity for each other. Eric Clapton, Peter Green, Jeremy Spencer, Peter Townshend, John Lennon, George Harrison (and let us not forget the Reverend Richard Penniman) have all at some point dedicated themselves and their music to God in his myriad varieties. On the heels of Tommy and Jesus Christ Superstar, Jethro Tull's Ian Anderson joins this heady list.   Tull is one of o... | More »

Elvis Presley

Love Letters from Elvis

The first cut is "Love Letters" and it's a beautiful song. Presley's voice is all there and then in comes the schizoid background, half-funk and half muzak. And thus it goes for two sides of Presley's latest. The voice is there, some of the material is OK, James Burton is picking away, the rhythm sounds passable, but oh those strings, horns, background voices, and what not. It's enough to drown a grown man — precisely what it does to Elvis on this album. Love Letter... | More »

T. Rex

T. Rex

Amazingly, it all comes out rock and roll; there's no questioning it. But rock and roll with lyrics dealing with such subjects as wizards, Druids, and a Liquid Poetess in a buckskin dress. Bolan is clearly infatuated with mysticism, as well as the pure sounds of the English language.   It's difficult to isolate any one or two songs as being special favorites; "One Inch Rock" is fun, beginning instrumentally like a big band swing piece (all on guitars, percussion and vocals) a... | More »

The Jackson 5

Maybe Tomorrow Motown

This might be referred to as a "mature" album, and that's its major disappointment. Rather than an intensification of the Jackson 5's earlier work, Maybe Tomorrow is a cooling off — carefully considered and well-timed, but just a little too easy. It's the difference between the slow exhalation of breath that opens "Never Can Say Goodbye" and the urgent screams in "I Want You Back." In its own way, Michael breathing in your ear is exciting as instant intimacy but it's... | More »

July 8, 1971

Elton John

11/17/1970

Jim Morrison used to toy with this idea of starting an album with the sounds of a guy driving around with the rain pouring down. Finally the guy turns the radio on and lo and behold it's the new Doors album. Naturally Paul Rothchild nixed the idea so it never got done. So we've got to settle for an Elton John radio album instead. I mean who else could ever do it in a million years but the master of preciousness? Like he couldn't have done it on AM, it had to be FM. At least it ... | More »

Rod Stewart

Every Picture Tells A Story Mercury

He has it in him, has Rod Stewart, to save a lot of souls, to rescue those of us who are too old for Grand Funk but not old enough for those adorable McCartneys from being nearly consummately bored with the current rock and roll scene. It's not inconceivable that he could do it without even opening his mouth: He's physically sensational, the idol of perhaps three continents' heavy trendies, the most profound influence on rock and roll fashion since the Stones' Tour. He�... | More »

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Song Stories

“Santa Monica”

Everclear | 1996

After his brother and girlfriend both died of drug overdoses, Art Alexakis -- depressed and hooked on drugs himself -- jumped off the Santa Monica Pier in California, determined to die. "It was really stupid," said the Everclear frontman, who would further explore his personal emotional journey in the song "Father of Mine." "I went under the water. Then I said, 'I don't wanna die.'" The song, declaring "Let's swim out past the breakers/and watch the world die," was intended as a manifesto for change, Alexakis said. "Let the world do what it's gonna do and just live on our own."

More Song Stories entries »
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