album reviews
The Byrds
Farther Along Columbia
Farther Along is the Byrds' first completely self-produced LP, and exists as a kind of backlash to Terry Melcher's elaborate string and choir-laden production of Byrdmaniax. Farther Along was recorded within three months of Byrdmaniax, so eager was the band to make amends. Because of their closeness in time, their programmatic similarity is not surprising, though the sound has been considerably cleaned up. The personalities which are projected here are of the same cloth as those whi... | More »
Aretha Franklin
Young, Gifted And Black
The hype on the new Aretha Franklin album would have us believe that this is her best work since the Sixties, when a string of now-classic albums with Jerry Wexler and Arif Mardin established her as the definitive female soul singer. Even the press bio that accompanied Who's Zoomin' Who? claims the record has been "hailed by critics as one of the true landmark albums of [Franklin's] career." A critic not consulted in this prerelease poll is naturally a little skeptical, especia... | More »
Jackson Browne
Jackson Browne Asylum
It's not often that a single album is sufficient to place a new performer among the first rank of recording artists. Jackson Browne's long-awaited debut album chimes in its author with the resounding authority of an Astral Weeks, a Gasoline Alley, or an After the Gold Rush. Its awesome excellence causes one to wonder why, with Browne's reputation as an important songwriter established as far back as 1968, this album was so long in coming. Perhaps Browne acquired performing abil... | More »
Paul Simon
Paul Simon Columbia/Warner Bros.
Paul Simon's long and manicky struggle between his songs of endearing but forced whimsy and his confessions of unhappiness and loneliness is over, with the latter, in fully developed and radically different form, the victor. Simon's first solo album is also his least detached, most personal and painful piece of work thus far — this from a lyricist who has never shied away from pain as subject or theme. By contrast to the recent prototype for confessional work, John Lennon... | More »
Mott the Hoople
Brain Capers
Well, up till now Mott's been batting a respectable but unspectacular 333 — one line drive smash still climbing as it left the park (the first album), one disastrous bush-league strikeout (Mad Shadows); and a long fly ball the center-fielder caught up with some 400 feet from the plate (Wildlife). Maybe baseball images seem out-of-place with a British rock band yet there's a distinctly American orientation to this band that draws its inspiration (aside from its Kinksiness) from... | More »
The Jackson 5
Greatest Hits
Greatest hits albums usually lack focus. Time after time, for some obvious reasons, andsome mysterious ones, the essence and real greatness of the group or individual artist eludesattempts at collections. The Jackson Five, one of Motown's most commercially successful groups,suffers dramatically from this process. On this package the limitations of the group — mainly theslickness and vapidity of some their AM material, and the immaturity and shrillness of Michael'svoice —... | More »
Linda Ronstadt
Linda Ronstadt
Linda Ronstadt has run through three different producers with her last three albums, and it's easy to see why she wears them out so fast. Of the three, not one of them has had much luck with the considerable job of imposing any direction or discipline on Linda's seemingly boundless raw energy. She has yet to find someone who can shape up a whole album to match the best of her individual performances on isolated cuts. Hand Sown ... Home Grown was the roughest, loudest, loosest and m... | More »
Quicksilver Messenger Service
Quicksilver
Quicksilver is Dino Valenti's album. He wrote all the songs but two (by drummer Gary Duncan), he takes the vocals with that quavering breathy echo-laden whine which metamorphoses into an acceptable shout when he gets to screwing it on. But 'tis not on the basis of vocal or instrumental talent alone that Dino has assumed such a heavy role in the band's music. Above all, he is an enthusiastic practitioner of the Good Time Rock Star Ogle, a showman, a front man who steals the lime... | More »
Curtis Mayfield
Roots
Roots, Curtis Mayfield's third solo album, is a confused and confusing record. It's undoubtedly been influenced, both conceptually and technically, by Marvin Gaye's What's Going On? Gaye's record surprised a lot of people by its strong religious content, coming from someone who had previously recorded only love songs. Curtis, on the other hand, wrote and sang, with the Impressions, many religious and quasi-religious songs like "People Get Ready" and "Keep On Pushing."... | More »
Bonnie Raitt
Bonnie Raitt
Bonnie Raitt's debut album features an unusual collection of songs performed by an unusual assortment of musicians. And Bonnie is something out of the ordinary herself. She has been traveling the blues-festival circuit since 1968, playing the Boston-New York-Philadelphia folk run, since 1970. Now she has done something unusual with her first Warners album. In August, Bonnie rented a fishing camp on a Minnesota island, solicited the production services of Willie Murphy, the musical talen... | More »
Music Reviews
-
star ratingRandom Access Memories -
star ratingModern Vampires of the City -
star ratingTrouble Will Find Me
-
star ratingExcuse My French -
star ratingDemi -
star ratingSports (30th Anniversary Edition)
Photos & Videos
Random Notes: Hottest Rock Pictures
Gallery: Summer Tour Preview 2013
We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.
