Big Boi has been struggling against straight-man typecasting for years. That will happen when the public first encounters you as the guy standing next to Andre 3000, whose arty tastes and Ziggy Stardust wardrobe made him Outkast's natural focal point. But Big Boi made a convincing play for Outkast's freaky, funky legacy on his solo debut, 2010's Sir Lucious Left Foot: The Son of Chico Dusty. On this follow-up, he goes even further left, diving into a sea of bleary synth washes and floating female voices – a sound that owes as much to "Planet Rock" as to current indie rock. 

The guest list reads like a blog digest. Big Boi shares the synth-pop fever dream "Lines" with moody indie duo Phantogram and cocksure Harlem MC A$AP Rocky. "Shoes for Running" is a three-way race with bubbly rapper B.o.B and surly Cali punks Wavves. Bringing these new jacks together in harmony is impressive enough; the ease with which Big Boi insinuates his smack-talking, game-kicking self into their midst, even more so.

But the album is most fun when Big Boi stops trying to prove he's bigger than hip-hop. Best of all is "In the A," an old-school, ego-fueled lyrical jag: "King shit, Buckingham Palace/Till I'm buckin' on the motherfuckin' beat, goddamn it," he spits, sounding like Zeus dusting off the old thunderbolt. 

Listen to 'Vicious Lies and Dangerous Rumors'

“Let My Love Open the Door”

A peppy, hopeful love song, "Let My Love Open the Door" became a U. S. Top Ten hit for Pete Townshend in 1980, anchored by the kind of repeating synthesizer figures that he'd used in some of the Who's recordings in the previous decade. Although Townshend brushed the song off as "just a ditty" in Rolling Stone shortly after its release, in 1996 he revealed it was about love of the holiest sort. "It's supposed to be about the power of God's love," he remarked. "That when you're in difficulty, whether it's major or minor, God's love is always there for you."