.
http://assets-s3.rollingstone.com/assets/images/album_review/8159210d33d735b6f7aab5d1f6dde8838b83a475.jpg Tron: Legacy

Daft Punk

Tron: Legacy

Walt Disney
Rolling Stone: star rating
Community: star rating
5 3 0
December 7, 2010

This should have been a match made in disco heaven. Tron: Legacy is the sequel to a movie about a man trapped in a 1980s video game. Daft Punk — the vocoder-crazed, spacesuit-clad French electro duo — have always seemed like musicians trapped in a 1980s video game. Whether Daft Punk have created a worthy soundtrack is for filmgoers to decide. As for the album they've made — it's so-so mood music, full of dramatic, string-suffused sounds that are sometimes moving and sometimes just there. Daft Punk cut much of Tron: Legacy in London with a 100-piece orchestra. Far too often, the strings just hold one chord amid electronic noodling, though on "The Game Has Changed," they swell and flutter alongside acid-damaged synths and digital thuds, suggesting a particularly suspenseful Radiohead track.

Keep up with rock's hottest photos in Random Notes.

What's really missing on Tron: Legacy is groove. There are glimpses of the party-starting robots we've come to love: The sleekly digital "End of the Line" sounds like 21st-century Kraftwerk, and "Derezzed" is a pounding house track with synth squeals that recall Daft Punk's 1996 dance-floor classic "Da Funk." But that's about it as far as rhythm is concerned. Tron: Legacy is way more Hans Zimmer than Homework.

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More
    Around the Web
    Powered By ZergNet
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Long Walk Home”

    Bruce Springsteen | 2007

    When the subject of this mournful song returns home, he hardly recognizes his town. Springsteen told Rolling Stone the alienation the man feels is a metaphor for life in a politically altered post-9/11 America. “Who would have ever thought we’d live in a country without habeas corpus?” he said. “That’s Orwellian. That’s what political hysteria is about and how effective it is. I felt it in myself. You get frightened for your family, for your home. And you realize how countries can move way off course, very far from democratic ideals.”

    More Song Stories entries »
    www.expandtheroom.com