The jam-band swami tries atmospheric pop with members of the National and Mates of State on this solo joint. The arrangements, full of spacious production and abstract beats, can be gorgeous, and the cover of Gorillaz's "Clint Eastwood" is spot on, even if its potent hooks point to a shortage elsewhere. But "Pigtail" – all class-clown philosophizing and noodle-dance groove – is the slam-dunk: a reminder of what he does better than anyone else.

Listen to The Traveler: 

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."