Few would argue that Of Montreal leader Kevin Barnes lost his freakiness in the feverish pursuit of soul-rock nirvana, but this five-track EP of outtakes from last year's False Priest nevertheless hedges his bets. Beginning and ending with extreme noise, it further explores that album's themes of sexuality, religion, and the manmade gap between. Chaotic opening track "Black Lion Massacre" offers a nightmarish fantasy of ritual sacrifice, then "Flunkt Sass vs the Root Plume" downshifts into psychedelic Pink Floyd-ian ooze. Wordy narration typically trumps melody here, but when Barnes steps aside to let woozy strings speak for him in "L'age D'or," he ultimately conveys more.
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