.
http://assets-s3.rollingstone.com/assets/images/album_review/2110480adfdc420c80ac8d041410896e3766245e.jpg Test For Echo

Rush

Test For Echo

Rolling Stone: star rating
Community: star rating
5 0 0
December 17, 1996

It's double-standard time. Rock snobs have been beating up on Rush for years, mostly on account of the assiduously designed pomp and metaphysical polemics in the band's art rock and the scraped-blackboard shiver in bassist Geddy Lee's vocals. Meanwhile, Porno boss and alterna-bon vivant Perry Farrell lays on the expressionist waffle with a trowel and sings like a scalded tabby — and he's a New Rock god.

Actually, for all of his hallucinatory airs and stylistic caprice, Farrell is a plain-spoken romantic realist and a surprisingly disciplined songwriter. On Good God's Urge, he grounds his dream-pop larks with melodic clarity and heft, and leaves out, for the most part, the Jane's Addiction-redux squawk that marred Porno's first album. "Tahitian Moon" is kinetic, straightforward fun, and there is nothing postmodern (thank God) about Farrell's generous declaration of amour in "100 Ways."

As for Rush, anyone who thinks the three Canadians are irrelevant arena-rock hags isn't paying attention to Primus' Metallica-meets-2112 moves or the serious '70s-art-rock undercurrent of Mellon Collie and the Infinite Sadness, and the buffed guitar and synthesizer contours of Test for Echo are welcome relief from the bland din of modern-rock celebrities like Dishwalla.

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More
    Around the Web
    Powered By ZergNet
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Whoomp! (There It Is)”

    Tag Team | 1993

    Cecil Glenn — a.k.a., "D.C." — was a cook at Magic City, a nude dance club in Atlanta, when he first heard women shout "Whoomp — there it is!" Inspired by the party chant, he and partner Steve "Roll'n" Gibson wrote a song around it. Undaunted by label rejections, they borrowed $2,500 from Glenn's parents and pressed 800 singles, which quickly sold out in the Atlanta area. A record deal came soon after. Glenn said the song was meant for positive partying. "If you're going to say 'Whoomp there it is,' and you're doing something negative, we'd rather it not have come out of your mouth."

    More Song Stories entries »
    www.expandtheroom.com