Alejandro Escovedo is a classicist, weaned on punk verities, schooled in American roots music. Now pushing 60, he's making some of the fiercest music of his career. His latest evokes Eighties heartland rock: "Anchor" feels like a long-lost radio hit; Ian Hunter adds scruffed harmony on "Down in the Bowery," and Bruce Springsteen duets on "Faith," a swaggering New York Dolls-ish rocker about rock & roll survival, something the two men know a bit about.

“Let My Love Open the Door”

A peppy, hopeful love song, "Let My Love Open the Door" became a U. S. Top Ten hit for Pete Townshend in 1980, anchored by the kind of repeating synthesizer figures that he'd used in some of the Who's recordings in the previous decade. Although Townshend brushed the song off as "just a ditty" in Rolling Stone shortly after its release, in 1996 he revealed it was about love of the holiest sort. "It's supposed to be about the power of God's love," he remarked. "That when you're in difficulty, whether it's major or minor, God's love is always there for you."