.
http://www.rollingstone.com/assets/images/album_review/31dcf51a0255f0f97c3db7e4b05726b7b37b14cf.jpg Straight Outta Compton (Reissue)

N.W.A.

Straight Outta Compton (Reissue)

Rolling Stone: star rating
Community: star rating
5 5 0
September 30, 2002

Decked out in identical utility gear and sporting enough lyrical artillery to frighten all of middle America, N.W.A quickly upended hip-hop tradition with Straight Outta Compton. One of hip-hop's crucial albums, it was a bombastic, cacophonous car ride through Los Angeles' burnt-out and ignored hoods. Dr. Dre's busy funk production lent the proceedings a carefree, unhinged air, and the lyrics, mostly written by Ice Cube, were powerful audio verite, especially on songs such as "Fuck Tha Police," "Express Yourself" and "Dopeman." N.W.A's broad influence became apparent three years later, in 1991, when Billboard adopted SoundScan technology only to learn that the top slot on the pop album charts didn't belong to Paula Abdul but to these Compton, California, thug arrivistes (sans Ice Cube, who'd left the group due to financial differences). Niggaz4life wasn't quite the barnstormer its predecessor was — it was less textured both sonically and politically — but its success showed that the boyz in the hood weren't to be taken lightly ever again.

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More

    Music Reviews

    more Reviews »
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Is It True”

    Brenda Lee | 1964

    As the British Invasion reached its peak in 1964, Brenda Lee went from Nashville to London to record one of her hardest-rocking hits, her perky vocal backed by a stuttering, squalling guitar. That guitar was played by session musician Jimmy Page, yet to skyrocket to fame with first the Yardbirds and then Led Zeppelin. "She said to me, 'I've come here to make a record with the British sound,'" remembered producer Mickie Most. "She felt she wouldn't get the same sound in Nashville because they're only just catching up on the British beat group sound of about six months ago."

    More Song Stories entries »