Singer-songwriters Chris Difford and Glenn Tilbrook have named the new Squeeze album Spot the Difference presumably because there's so little difference between these versions of their classic power-pop hits and the ones on their sterling 1982 set Singles: 45's and Under. Frankly, the subtle changes aren't good. The sharp electric-guitar chops of the original "Another Nail in My Heart" are more muted here. And the only thing that distinguishes the R&B-flavored "Black Coffee in Bed" from its original is the "lite jazz" sensibility in the guitar solo. You can't really go wrong with such great material, but this cynical ploy to sell an oldies tour is completely superfluous.

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."