.
http://assets-s3.rollingstone.com/assets/images/album_review/79d6479b2f27779056dd0437c352448a7f9b66c6.jpeg Red Octopus

Jefferson Starship

Red Octopus

Rolling Stone: star rating
Community: star rating
5 0 0
September 11, 1975

The big news, of course, is that Marty Balin is back. Balin never seemed to be able to get it together outside the Airplane/Starship, although he certainly did try. But nearly everything he started crumbled before it was finished. Bodacious D.F., his last band, showcased his vocals nicely, but somewhere between the decision to record a second album before going on tour and actually doing so, the band vanished. He joined the Starship for one song, Caroline, on their last album, and from all the press and radio play it got, you'd have thought it was the only song on the album. Clearly, they needed him.

And good thing they got him, too. If it weren't for Balin, Red Octopus would be completely unlistenable. As it is, it sounds like a revue instead of a band, with Grace Slick getting her couple of songs, Papa John Creach getting his instrumental, Pete Sears getting his and so on. And with Grace's vocals now devoid of whatever subtlety they might have had, Marty's the only vocalist in the band.

In fact, two of his songs, Miracles and There Will Be Love, are not only good for them, but downright good. Miracles, already an FM hit, is the choice for a single and, with its lush string backing, the ideal comeback vehicle for Marty.

But the rest of the album is sadly undistinguished at best and embarrassing at worst (Kantner plumbs new lows with lyrics like I want to see another world/For me and my child/ My old lady too. Nice of you to remember the lady, Paul). Papa John is all but inaudible throughout (I never did figure out what he was doing in the Starship, but maybe that's my hangup), and Pete Sears's instrumental, Sandalphon, is quintessential filler.

If only because it gives Marty Balin a place to write and sing, I wish the Starship well. Maybe in a couple of years there will be a Starship's Greatest Hits album, and I'll undoubtedly want that one — it'll be Marty Balin's greatest hits, too.

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Vicious”

    Lou Reed | 1972

    Opening Lou Reed's 1972 solo album, the hard-riffing "Vicious" actually traces its origin back to Reed's days with the Velvet Underground. Picking up bits and pieces of songs from the people and places around him, and filing his notes for later use, Reed said it was Andy Warhol who provided fuel for the song. "He said, 'Why don't you write a song called 'Vicious,'" Reed told Rolling Stone in 1989. "And I said, 'What kind of vicious?' 'Oh, you know, vicious like I hit you with a flower.' And I wrote it down literally."

    More Song Stories entries »
    www.expandtheroom.com