.
http://www.rollingstone.com/assets/images/album_review/d13672e24ef63f1115dfb40b7597da83726f8a80.jpg Pay The Devil

Van Morrison

Pay The Devil

Lost Highway Records
Rolling Stone: star rating
Community: star rating
5 3 0
March 28, 2006

"How polished is Van Morrison's brand of musical mysticism? On last year's Magic Time, he sang a list of smutty British films and made it sound like cosmic wisdom. After forty years of astral moods, Morrison seems to have realized that his talent for elevating the everyday into the profound would serve him well in country music. So when he sings ""My Bucket's Got a Hole in It,"" he finds the same fertile territory that Hank Williams Sr. did, balancing between a quotidian complaint and Sisyphean dread. Pay the Devil, Morrison's squintillionth album, contains twelve covers of classic country songs, from ""Things Have Gone to Pieces"" to ""Your Cheatin' Heart,"" and three new compositions that work well right beside them. The album is pleasant but uninspiring, perhaps because Morrison's whiskey voice matches up so easily with these bourbon-soaked songs. While Morrison does nothing discreditable with this material, he also finds nothing new in it."

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More

    Music Reviews

    • star rating
      Watching Movies With the Sound Off
    • star rating
      Omens
    • star rating
      Walking on Air
    more Reviews »
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “The Everchanging Spectrum of a Lie”

    The Joy Formidable | 2011

    The opener off the Welsh group’s The Big Roar album was an epic one, but the band was worried that track had polarized fans. “The first song is eight minutes long,” Rhydian Dafydd, the Joy Formidable bassist, said. “If you did that in the Seventies people would be, ‘Whatever.’ You do it now, people think, ‘Holy s---!’ Some people think it’s the f---ing greatest track on the entire album, and some people think it’s f---ing boring. It’s that element of needing to challenge people.” The band concluded through the song’s lyrics that love was the “everchanging spectrum of a lie.”

    More Song Stories entries »