The inconsistent double live album One More Car, One More Rider strives to represent the harder and softer sides of Eric Clapton. Sometimes, on warhorses such as "Hootchie Coochie Man" and "Have You Ever Loved a Woman," he transports listeners to the Delta or Chicago's South Side, where a titan of the blues is throwing down bitter wisdom. But then there are those times when old Slowhand goes to his mushy place, singing nondescript odes such as "My Father's Eyes" as though he's chasing Sting for some sensitive-man prize. Clapton still possesses one of the most arresting guitar sounds on the planet, a laserlike beam of pure tone. But he rarely uses it to roar, and when he does — on a rearranged "Badge," complete with dramatic pauses, or on the coda of the rocking "Layla" that contains some of the most adventuresome improvisation he's recorded in years — it only becomes painfully clear just how often this car is riding on cruise control.

“The Everchanging Spectrum of a Lie”

The opener off the Welsh group’s The Big Roar album was an epic one, but the band was worried that track had polarized fans. “The first song is eight minutes long,” Rhydian Dafydd, the Joy Formidable bassist, said. “If you did that in the Seventies people would be, ‘Whatever.’ You do it now, people think, ‘Holy s---!’ Some people think it’s the f---ing greatest track on the entire album, and some people think it’s f---ing boring. It’s that element of needing to challenge people.” The band concluded through the song’s lyrics that love was the “everchanging spectrum of a lie.”