.
http://assets-s3.rollingstone.com/assets/images/album_review/4d10ddb7b8d985e3bfd815162be1508d4f962998.jpg Not Fragile

Bachman-Turner Overdrive

Not Fragile

Rolling Stone: star rating
Community: star rating
5 0 0
October 24, 1974

Imagine Black Sabbath without instrumental dynamism and lyrical vision; imagine Led Zeppelin without pyrotechnics: What you're imagining is the Bachman-Turner Overdrive — a lowest-common-denominator rock band that's found immense commercial success in a stylistic limbo between heavy-metal and MOR rock. They rely heavily on the basics to convey their musical message, but unlike 99% of their competition, BTO give the impression that the basics are about all they have to offer.

Not Fragile breaks no new ground, but BTO's first two albums had already demonstrated that such a concept is of little concern to this band. BTO prefer to rely on an already familiar formula — grab a chunky guitar riff, have all four instruments pound it into the ground in unison, add guitar solos and you've got a song. Lyrics are used, but not so much sung as shouted over the instrumental din. It's a very simplistic operation, but what BTO lack in imagination, subtlety, technique, structural dynamics, flash et al., they more than compensate for with lots of volume.

Of the album's nine songs, "Not Fragile" possesses the most effective basic riff (and is therefore the best song). Other highlights include the onomatopoetic "Sledgehammer," in which Randy Bachman compares an ex-girlfriend to the title object, and "Free Wheelin'," an instrumental that sounds like all the other songs except that it has no vocals.

But it's hard not to like this album and BTO. For like the early Stooges albums, the group's records are commendable for their no-nonsense directness: BTO hasn't much to say, but they don't bore the listener by trying to find cutesy ways to belabor the fact. While their concrete instrumental moves and simplistic themes remind me of a high school band that's attained basic proficiency only through years of incessant practice, the end product of BTO's labors sounds great when it's turned up loud. And that's a lot more than can be said for some of the offerings of BTO's more talented brethren.

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More
    Around the Web
    Powered By ZergNet
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Nightshift”

    The Commodores | 1984

    The year after soul legends Marvin Gaye and Jackie Wilson died, songwriter Dennis Lambert asked members of the Commodores to give him a tape of ideas. "And the one from Walter Orange has this wonderful bass line," said co-writer Franne Golde. "Plus the lyric, 'Marvin, he was a friend of mine' ... Within 10 minutes, we had decided it should be something like a modern R&B version of 'Rock 'n' Roll Heaven,' and I just said, 'Nightshift.'" This tribute to the recently deceased musicians was the band's only hit without Lionel Richie, who had left for a solo career.

    More Song Stories entries »
    www.expandtheroom.com