Perma-shirtless hitmaker Kenny Chesney coproducing perma-stonedelder-statesman Nelson could have been the country equivalent of R. Kelly's successful work with the Isley Brothers. Instead, we get Nelson awkwardly croaking songs by Dave Matthews ("Gravedigger") and Big and Rich ("The Bob Song") as a too-loud, too-slick band churns away in what sounds like a different studio. Even the best track —a take on Randy Newman's "Louisiana" —feels a couple of years too late.

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."