Who would have thought in 1981 that the influence of soft-rock kings Chicago would still be felt in 2003? In interviews, twenty-four-year-old Clay Aiken cites Chicago singer Peter Cetera as a vocal idol, and the painstakingly measured ballads collected on his debut, Measure of a Man, make that clear. For everything wrong with Aiken — his unremarkable phrasing and delivery, his old-man self-importance in a young man's body — he's adept at this school of middle-of-the-road bombast. He gets perhaps a bit too wistful on "Shine," which borrows liberally from the Chicago standard "Hard to Say I'm Sorry," but when one's whole career is a homage, it's hard to know when the line has been crossed.

“Time to Pretend”

Listening to MGMT’s breakthrough song, one might interpret it as being about the excesses of rock stardom, but it’s actually about the duo’s pet praying mantis. Ben Goldwasser and Andrew VanWyngarden told Rolling Stone they got the idea from the insect's jerky movements. The mantis died, but the two bandmates kept the egg sack and allowed the hundreds of eggs to hatch. “We tried to name them all, but they died after a day,” said Goldwasser, with VanWyngarden chiming in, “But the praying mantis dance inspired us.”