.
http://assets-s3.rollingstone.com/assets/images/album_review/84b610ebf8220b9b339823c5c57670977f3c6a10.jpg Live In Europe

Creedence Clearwater Revival

Live In Europe

Rolling Stone: star rating
Community: star rating
5 0 0
February 1, 1978

This poorly recorded double-record set shows John Fogerty's musical personality in a somewhat different light from his studio recordings. Although he runs through the songs with characteristic discipline, he seems looser and occasionally more energetic than usual. Playing in front of enthusiastic crowds in 1971, he was less inhibited and the resulting sense of freedom elevates the performances of most of the uptempo material — although he and the band then prove unable to calm themselves down sufficiently to handle the subtler, moderate-paced numbers, the lovely "Lodi" suffering most in the process. The nine-song run-through of hits that fills sides two and three is often fun, even if only "Hey Tonight" adds anything substantial to its original studio-recorded version.

The tightness of the performance of the singles hits is undercut by the longer performances on sides one and four. I dislike songs based on a single chord and find both "Born on the Bayou" and "Keep On Chooglin'" rather dull as a result. That latter takes up the entire last side and is marred by a terrible harp solo, limited melodic content and repetitiveness. But, like several other cuts, it gives ample room for Fogerty's exceptional rock-rhythm guitar playing, and it contains a nice move into "Pagan Baby," as well as some good, simple rock dynamics.

Fogerty's voice doesn't wear well over the four sides and the inability of bassist Stu Cook and drummer Doug Clifford to supplement it with anything else of interest is far more apparent in concert than it ever was in the studio. The gap between his and their abilities provides the obvious explanation for the group's demise.

prev
Album Review Main Next

ADD A COMMENT

Community Guidelines »
loading comments

loading comments...

COMMENTS

Sort by:
    Read More
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.

    X

    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Stillness Is the Move”

    Dirty Projectors | 2009

    A Wim Wenders film and a rapper inspired the Dirty Projectors duo David Longstreth and Amber Coffmanto write "sort of a love song." "We rented the movie Wings of Desire from Dave's brother's recommendation, and he had me go through it and just write down some things that I found interesting, and they made it into the song," Coffman said. As for the hip-hop connection, Longstreth explained, "The beat is based on T-Pain. We commissioned a radio mix of the song by the guy who mixes all of Timbaland's records, but the mix we made sounded way better, so we didn't use it."

    More Song Stories entries »
    www.expandtheroom.com