http://assets-s3.rollingstone.com/assets/images/album_review/4775f42c74d77ccb821c06f73b603bd58c21c8ae.jpg LCD Soundsystem

LCD Soundsystem

LCD Soundsystem

Rolling Stone: star rating
Community: star rating
5 4 0
February 24, 2005

A New Jersey-born punk in a dance-floor world, James Murphy brings rock and disco together with the DFA label and his work with partner Tim Goldsworthy. (The duo is best known as the team behind the Rapture's Echoes.) Murphy's project LCD Soundsystem got attention in 2002, thanks to the butt-shaking single "Losing My Edge," a savagely self-mocking track that sent up hipsters of all ages and stripes. With LCD Soundsystem, Murphy has followed "Edge" with an album that's just as good. The first disc of this two-CD set is new material; the second collects LCD's previous singles. The singles disc simply kicks ass upon impact, thanks to "Edge" and attitude-filled tracks such as "Beat Connection" and "Yeah"; the new-material disc combines punchy dance-floor successors such as "Daft Punk Is Playing at My House" with tracks that either push the extremes of Murphy's dance-rock fusion (the rigid punk of "Movement," the Kraftwerk funk of "Disco Infiltrator") or fall unexpectedly far outside it (the Beatles-y ballad "Never as Tired as When I'm Waking Up"). LCD have managed to be both underground hitmakers and bona fide album artists as easily as Murphy splices guitar noise and machine thump.

Album Review Main Next


Community Guidelines »
loading comments

loading comments...


Sort by:
    Read More
    Around the Web
    Powered By ZergNet
    Daily Newsletter

    Get the latest RS news in your inbox.

    Sign up to receive the Rolling Stone newsletter and special offers from RS and its
    marketing partners.


    We may use your e-mail address to send you the newsletter and offers that may interest you, on behalf of Rolling Stone and its partners. For more information please read our Privacy Policy.

    Song Stories

    “Madame George”

    Van Morrison | 1968

    One of the first stream-of-consciousness epics to make it onto a Van Morrison record, his drawn-out farewell to the eccentric "Madame George" lasted nearly 10 minutes, combining ingredients from folk, jazz and classical music. The character that gave the song its title provoked speculation that it was about a drag queen, though Morrison denied this in Rolling Stone. "If you see it as a male or a female or whatever, it's your trip," he remarked. "I see it as a ... a Swiss cheese sandwich. Something like that."

    More Song Stories entries »