Wes Anderson's music guru Randall Poster produced this tribute with Gelya Robb, and it's as inspired as their 2011 LP Rave On Buddy Holly. Aside from Antony's sparkling "Landslide," the less-familiar stuff is most striking. Trixie Whitley turns "Before the Beginning" into a howling séance; Billy Gibbons steers "Oh Well" away from the Ren Faire. Some radio staples – including the Kills' leaden "Dreams" – fizzle, but Best Coast give "Rhiannon" a Courtney-meets-Darlene Love vibe. And Lykke Li's synth-y "Silver Springs" shows all those dream-pop texture sluts dominating indie rock the magic ingredient: songwriting.

Listen to 'Just Tell Me That You Want Me: A Tribute to Fleetwood Mac':

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."