Stevie Nicks built her legend on the California-Babylon chronicles she perfected in the Seventies with Fleetwood Mac, and in the Eighties on underrated solo gems like The Other Side of the Mirror. But she still has that eternal edge-of-17 tremor in her voice. The gypsy queen is in royal form on In Your Dreams — it's not just her first album in 10 years, it's her finest collection of songs since the Eighties.

The 100 Greatest Singers of All Time: Stevie Nicks

In Your Dreams has the high-gloss L.A. production of her collaborators, Glen Ballard and Eurythmics' Dave Stewart. But the material is Nicks in platform-soled hyper-romantic mode, with her voice in surprisingly supple shape. "Secret Love" is an oldie she wrote in 1976 — who knew she was still keeping secrets from her Rumours days? It seems to be about one of her rock-star beaus, although she coyly maintains she can't remember which one. Yet it isn't even one of the better tracks on In Your Dreams. The over-the-top seduction ballad "Italian Summer" could be her answer to the Stones' "Wild Horses." It climaxes in a very Stevie credo: "Love was everywhere/You just had to fall."

Nicks finds storytelling inspiration everywhere, from the Twilight series ("Moonlight [A Vampire's Dream]") to Jean Rhys ("Wide Sargasso Sea"). But the real showstopper here is the Edgar Allan Poe tribute "Annabel Lee," a fan fave that's been kicking around on bootlegs since the Nineties. It's a six-minute meditation on love and death with echoes of the Fleetwood Mac classic "Dreams." Poe's key line — "The moon never beams without bringing me dreams" — might have been written in 1849, but it was clearly meant for Stevie Nicks to sing.

Listen to "Secret Love":

“IRM”

Fashioned to mimic the sound of a magnetic resonance imaging or MRI, "IRM" (the French designation for the brain scan) grew out of Gainsbourg’s love of the sound of the clickety-clack of medical machinery. The IRM album project also marked the fulfillment of two goals for the singer: to document a traumatic experience, and to record an album with Beck. Though her co-creator and producer didn’t necessarily know the details of her water-skiing accident and resulting cerebral hemorrhage (which lead to the IRM of the song's title), he somehow knew how to handle the material. "Beck had a way of guessing what I was thinking and feeling without me telling him," said Gainsbourg. "We never discussed these things explicitly."