Singer Teenie Lieberson, her two sisters and another pal convened last year in Brooklyn with one apparent mission: Imagine space rock as it might've sounded before the moon landing, in the time of girl groups and garage bands. Their first full-length grooves on the easy symmetry of unfussy harmonies and dead-simple, no-hurry guitar, drum, and keyboard parts well buttered with reverb. (Pete Kember, of the echo-happy Spacemen 3, produced.) Teenie, formerly of Here We Go Magic, lays the retro-innocence on a little heavy, ruminating over frenching "too many men." But between the matter-of-fact beauty of her sweetly somber voice and the album's unapologetically fat synths, even a track like "Huh," with its distinctly unpromising title, proves highly evocative.

Listen to 'In Limbo':

“I Can See for Miles”

A foreboding accusation of lies and deception, "I Can See for Miles" was given a psychedelic hard-rock veneer by Pete Townshend's whiplash guitar riffs and Keith Moon's thundering drums. The song helped break the Who as stars in the United States, giving them a Top Ten hit in late 1967. "I swoon when I hear the sound," boasted Townshend in Rolling Stone. "The words, which aging senators have called 'drug oriented,' are about a jealous man with exceptionally good eyesight. Honest."