Kelly Hogan is a go-to indie-rock vet whose sweet-tea vocals have shorn up records by Neko Case and plenty of others. Her second solo set conjures Seventies AM radio country 'n'soul with songs commissioned from genre outliers – M. Ward, Andrew Bird, Robyn Hitchcock, Vic Chesnutt, Stephen Merritt. It's meta Loretta Lynn, played straight; when she wails on the faintly arch title track, the pain sounds like no joke.

Listen to 'I Like To Keep Myself In Pain':

Related
• Photos: Random Notes

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."