Grace Potter, 26, hails from Vermont, and she's big on the jam-band scene, but her neoblues has subtlety and concision you don't often find with noodle-dancers. The Nocturnals' third disc tilts from Janis Joplin-esque bluster, to laid-back singer-songwriter soul that recalls a toughened-up Norah Jones, to Alanis-like blasts of epic recrimination. Potter's youthfulness can make for flower-soup lyrics but backlit by a no-nonsense band that massages Memphis grooves, light rock and pinot-noir reggae, it all bursts with promise.

“All Along the Watchtower”

Jimi Hendrix got hold of Bob Dylan's early John Wesley Harding tapes and in late 1967 recorded a version of "All Along the Watchtower" with the Experience in London. Dissatisfied with that first development, Hendrix brought those tapes with him to New York in early 1968 when he began work on Electric Ladyland. Eddie Kramer, Hendrix's engineer at the time, told Rolling Stone that Hendrix "was still looked upon by his basically white audience as the mammoth black guitar hero. There was a constant fight within him to expand himself." Hendrix's successful take on Dylan's work has long been recognized by the songwriter. "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way," Dylan wrote in the liner notes to his Biograph box set. "Strange how when I sing it, I always feel it's a tribute to him in some kind of way."