The title "Next Big Rapper" has been a curse as often as a blessing. But on the major-label debut by Dr. Dre protégé Kendrick Lamar, the Compton, California, MC wears it lightly, like a favorite hoodie. The album opens as if in midsentence, in brisk conversational mode – "I met her at the house party on El Segundo and Central" – and never slows, gusting through dense narratives and thickets of internal rhymes. Lamar is an unlikely star: a storyteller, not a braggart or punch-line rapper, setting spiritual yearnings and moral dilemmas against a backdrop of gang violence and police brutality. The plush production of tracks like the Neptunes-produced centerpiece "good kid" hearkens back to Seventies blaxploitation soundtracks and Nineties gangsta-rap blaxploitation revivals, and good kid warrants a place in that storied lineage. Every so often, Lamar lets loose a wild boast – "I pray my dick get big as the Eiffel Tower/So I can fuck the world for 72 hours" – but the triumphalism feels warranted.

Listen to 'good kid, m.A.A.d city':

“More Than a Feeling”

Boston mastermind Tom Scholz was as surprised by anyone when he sent his unsolicited demo to record labels and got back a positive response. Scholz said, “I couldn’t believe it. Nobody knew who we were, so I wouldn’t even say we were struggling. It was groveling.” Part of the credit for the interest must go to the anthemic rock number "More Than a Feeling." Inspired by the Left Banke's 1966 hit "Walk Away Renee," Scholz worked on the song for five years in his basement studio before it was released on this album.